A series of well-meaning gestures pertaining to the many definitions of Love
Alex Rich
@_.alexjustalex._
Music @whataboutphantom

Rosa
I would like to thank the spirits
Who have set up camp in my hippocampus
And allow me to dream
Because this morning I woke up
With the feeling of your bony fingers running through my hair
I had almost forgotten the sensation
And the only time sleep paralysis has ever done me a favour
Is when I woke up incapable of moving
With you standing next to me
Twitching, slightly dancing
With a light smile of,
Hello.
What have you been up to?
It’s been a while.
And the only solid my anxious muscle memory
Has ever done for me
Is the occasional feeling of your always-too-cold hand in mine
Despite your willing disappearance
You shuffled off this mortal coil like the goddamn dancing queen
The reason I loved WandaVision
(I believe you would have loved it too)
Was this quote right here:
‘What is grief but love persevering’
And that is why when you make a cameo appearance in my mind’s eye
And I drink you in like milk past its expiration date
The sick I expel is pink
It is the pink of the cheap ass hair tie you bought me
Which meant more to me than you will ever know
You told me to wear it on my wrist as a symbol of she/her days
Accepting my fluidity like a scientist accepts climate change
I loved you for that
I love you, I love you, I love you.
It is the pink of when I hear
“You’re one of my favourite few”
I listen to it over and over and over
Whenever I’m on the verge of collapse
But my eyeliner’s just too dang perfect for tears
I whisper it to the moon
I love you, I love you, I love you.
It is the pink of LED lights
Shows you’re not even in
But you showed up to call time anyway
And as the tech screwed up over and over and over again
Instead of wracking my body with sobs
I watched you dance with the costume rack
And we danced, and we danced, and we danced
I love you, I love you, I love you.
So I would like to say thank you.
You set up camp in my heart
And accessed my inner child
With some kind of lock-and-key arrangement
Which allows me to wake up and keep moving every morning
Despite the sickly sensation
I know you’re gone
But unhealthy as it is
I pray to god I never have to let you go.
;
I want to peel my skin off
In an inner-outer-layered-motion to the court
Of hypocrisy and wishful thinking
That I could ever be blue
Purple yellow white black
Pink white and purple, black and blue
Marks to the bits of skin I was perfectly happy keeping
But an unsolicited misdirection
Colon semicolon oxford goddamn comma equals
I would rather be skinned to the bone
Suck out the marrow
And throw me to the wolves
Will I be pretty enough for you then?
Table salt
The sun’s radiation glints off their hair
Light shattered into a million pieces
The brine under their fingernails
Draws me in like flytrap nectar
Trapping me in the trigger hairs, motion detectors
Their crooked lips revenge against a host of unknown variables
Unconsidered, jolting the test tubes
Out of my latex-coated hands
My latex boot crushes a sugar ant
Underneath its heel
Its reanimated corpse travels slowly up my body
Lurching movement combined with the stench of oleic acid
I brush its miniscule form from my titan thigh
As I, Atlas, bear the weight of the atmosphere
My shoulders strengthened from the years of carrying my own burden
To avoid placing it on my mother’s bad back
They lift it off and place it on the ground
I forgot the gravity would eventually kill me
In their palm they hold a single grain of sand
They study it carefully and hand it to me
They bring their forehead to mine and remind me
That the weight of the world has the meaning I assign it
And not to underestimate the small things
Sunlight on their hair
Poseidon’s nymph
Air freshener in my lungs, ocean breeze
Their lips taste of sea salt and possibility
South Australian Aphrodite
In the back of my mind I have held your hand
I whisper sweet nothings
To the lover I imagine you to be
How long has it been?
Three days?
Maybe weeks?
It feels like millenniums
If we’re being honest today
My dear
Unfortunately I have been a liar all my life.
With my guitar in hand I write you songs
I sing sweet lullabies
And truths I cannot face up to without melody
Like how the world is just your stage
And somewhere along the line
I found myself playing the role of your stagehand
It hasn’t been easy for me to give up the limelight.
But
if
I
were
to
become
someone
for
anyone
It would be you.
Letters home
Dearly beloved,
This morning I woke up
In the stale cold of mid-Autumn
Crisp air entered my nostrils
And made them bleed
Common sense leaked out my nasal cavity
My father pointed to telekinesis
I pointed to Kronos’ bathroom break
Either way, I need to buy a new tissue box
Meet me outside the Woolworths
Where you first brushed your lips against mine.
Dearly beloved,
Last night you left my bed
My eyes fluttered in a haze of half-dreamt glory
Hypnos lost his grip and let me fly up to the top of the circus tent
Now there are rope burns on my hands
Scarring over
Whatever you left me for
On the way home can you drop by the pharmacy
And get some soothing cream
Aloe vera and kiss-it-better
Your nose tickles the back of my hand
And caffeinated glee bubbles up through my lips.
Dearly beloved,
It’s been three months since they found your severed hand in the freezer aisle
Fractals spread across the silver of your engagement ring
The diamond burns with frost
It cuts into my fleshy exterior
Twelve weeks of unsanctioned bed rest
I made my way down to Hades
Through Orpheus’ back entrance
I need to buy a new tissue box
Meet me outside the Woolworths
Where you first brushed your lips against mine.
Alex Rich is an eighteen-year-old writer and theatre maker based in Brisbane. They are currently studying creative writing and drama at QUT. Alex often finds themselves exploring themes of identity, gender, queerness, neurodivergency, existentialism and the human condition.